Monday, July 28, 2014

The Man with the Devil's Tongue: Chapter 1 Preview



Today I present to you the opening chapter of my upcoming novella The Man with the Devil's Tongue. The story will be available August 5th and acts as a prequel to Death's Good Intentions (coming September 9th).

I hope you enjoy!




On the night of April Frausini’s twentieth birthday, her dead boyfriend came to her room with a knife in his mouth.
This wasn’t altogether uncommon. Brett often visited April after his motorcycle accident a year ago.
The knife was new, though.
April pulled the bed sheets closer as Brett passed through her door. Across the room, her roommate Cary slept on, oblivious to the paranormal visitor.
It was about eleven years ago that April woke to a fright—her first period and her first vision of a ghost in her room.
The ghost that particular day had been that of her grandmother. Old granny seemed so happy that her little girl was a woman now. April, meanwhile, had screamed her head off until her parents rushed to her room and granny finally disappeared into dust.
There had been many ghosts since then, most of them silent and not unkind, but April was still prone to frights now and then.
Her parents had treated her as a child with a broken brain. They took April to doctors. The doctors sent her to specialists. The specialists put her on drugs. When the drugs failed to stop the visions, the specialists zapped her brain.
After that, April told them the ghosts had gone.
She lied.
Those years of confusion had left their toll on the Frausini family unit. Their broken child was fixed but the home had developed many cracks.
In the divorce April was given the choice to pick which parent to live with. Her Mom and Dad had spent weeks coaching her, telling lies about one another, trying to paint the best self-portraits of themselves and the cruelest caricatures of the other.
April didn’t want to choose either of them after that, but she chose Mom. Dad didn’t talk to her much after that. Once she got to college, though, it didn’t matter much; she hardly talked to Mom either. The bird was out of the nest, let her fly far. She had enrolled in classes with the intention of becoming a psychologist, believing that if she learned how to help others she may one day learn to help herself.
There were many ghosts on campus. Most of the time, April paid them no mind, but if a ghost detected her eyes upon them, they often sought her out.
She told her boyfriend Brett about it. He believed her, or at least he said he did.
Visiting her after his own death, he had no choice but to believe her now.
As Brett approached her bedside, he took the knife out of his mouth. His spirit was translucent and a dark shade of gray, looking more like an outline, and lacking the finer details of the human face. April had come to learn that a ghost’s shade of gray determined their ‘mood.’
And Brett was in a foul mood.
April tried to control her breathing. The knife wasn’t real, she told herself. But an angry ghost was a very real thing. Had Brett grown restless and agitated while trapped on the mortal plane? Did he mean to vent that frustration on the only one capable of seeing him? April brought her left hand underneath the sheets and searched out her crucifix which she kept at the side of her bed for nights such as this.
Brett said, “I want to kill your roommate.”
April almost shushed him, then remembered that only she could hear his words. She couldn’t speak loudly, though. Her roommate Cary thought she was weird enough already.
“You can’t kill my roommate,” April said in a whisper. “You can’t kill anybody. Go back to bed, sweetie.”
“I can’t sleep,” Brett said. He ran his hands through his hair, revealing the part of his scalp that had been stripped away during the accident. “I only dream of memories. I don’t want them anymore. They hurt worse than dying.”
“I’m sorry,” April told him.
“I want to get rid of my hurt, give it to somebody else.”
“You can’t.”
“She’s sleeping,” Brett said, playing with the knife in his hand. “She won’t feel a thing.”
“They’ll think I did it,” April said.
“Well. . .”
“Didn’t think of that, huh?” She whispered, “Besides, like I said, you can’t do it, and I don’t mean in the sense of the moral argument. I mean, you can’t do it. You can influence the world if you want to but not with a knife you made up with your head.”
The knife changed into flecks of dust that floated down to the floor. Brett frowned. His color lightened, his details became clearer. April thought she saw tears in his eyes. She put the crucifix away.
After a long silence, April said, “You can always move on.”
“It scares me,” Brett said. “I don’t know where I’d go.”
“You should have nothing to be afraid of.”
“We judge our own lives differently, less honestly, than others judge us. And if there is a God, and He’s been watching everything I did, how can I expect a kind judgment?”
April had no answers for him. Brett wept quietly until his spirit disappeared from the room.
April knew without even trying that she would not get back to sleep.
For a long time now, ghosts had been making things difficult for her. They had split up her family, made her into a mental case in the eyes of her parents, and ruined her chances at a normal college life.
April dressed for the day and left her dorm. She met up with some night owl friends at a local bar. She was underage and felt the need to obey the law, for fear of what potential ghosts waited for her in lockup. More than that, though, if she started screaming about dead men in a jail cell, the police might never let her leave.
She kept her life on the straight and narrow. She never drank, didn’t smoke, rarely drove, and only kept friends who were just normal enough for society, but strange enough to accept her, the girl who sees things.
Some of them knew what she saw because she told them. April wondered if anybody believed her, though.
Abby believed her. Abby was a calligraphy enthusiast going to school to become a painter or something. Abby also believed that she had been abducted from her bed by aliens at age eleven. This, she explained, was why she went to bed fully clothed nowadays.
Abby and her boyfriend Josh were eating nachos and discussing the merits of the last episode of The X-Files when April sat down.
“Jesus,” Josh said. He tried to avert his eyes and focused so intently on his nachos that the chips were likely to catch fire.
“I look that bad?” April asked.
“You don’t look good,” Abby said. “Trouble sleeping?”
April nodded. “Brett came to visit me.”
Josh scoffed. Abby slapped the back of his hand and said to April, “What’d he have to say?”
“He wants to kill my roommate,” April said.
Josh frowned.
“Is that normal?” Abby asked. “I mean, did he want to kill her before he died?”
“Not that I know of,” April said. She put her forehead on the table and closed her eyes.
“Should you have left your room, then?” Abby asked. “What if he tries to kill her now that you’re gone?”
“Brett can’t kill anybody. It doesn’t work that way. It’s just a cry for help. But I can’t help him. I can’t even help myself.”
April looked up from the table. The smell of nachos made her queasy in the middle of the night. The bar was mostly empty, with the exception of the sad regulars and the nocturnal students.
The chubby bartender with the accent that was impossible to determine set out a line of drinks for a few jocks in football jerseys. Gwen the waitress tried her best to politely turn down some balding old men a few tables over. And seated in his usual dark corner was the lonely, awkward genius Ronald Lime.
April blinked away the sleep from her eyes.
No, Lime wasn’t by himself. There was someone with him. That was new. His friend was seated with his back to April, so she couldn’t see who he was, but he wore all black and had wide shoulders.
Lime had joined college at age fourteen. He was brilliant and practically everybody hated him. Some of this was jealous human nature, but sometimes Lime didn’t make himself easy to like. He rarely spoke except to clarify how superior he was to those around him. April believed there was little difference between Lime and the jocks who meant to put him down all his life, except they did it with brawn and he did it with brains.
“Not usual for Lime to go out with a friend,” April said.
Josh and Abby looked back at Lime, then regarded April with confusion.
“I don’t know what you see,” Josh said, “but the Nerd King is alone.”
The dark figure turned, as if sensing April’s eyes upon him, revealing a face covered with scars and infected piercings.
His eyes were on fire.
The man in black got up from his seat and crossed the bar slowly, dragging behind him a length of chains. A smell of decay preceded him and the lights in the bar seemed to dim in his wake.
April started to shake as sweat came down her face. She gripped the edges of the table tightly while her friends looked on with concern.
She had never seen a spirit like this before.
The man walked up to her table. . .
Then he simply walked past.
April breathed out. Her face was pale and her heart was beating in a rapid chorus of drum beats.
Abby took her hand in her own. She said, “Sweetie, are you okay?”
April nodded. She pulled hair from her sweaty brow. “I’m fine.”
The lights in the bar grew brighter and brighter until they became blinding—then they shattered all at once, raining bits of glass down on everyone.
April didn’t understand it herself, but she began screaming like a mad woman. Josh and Abby grabbed her and forcefully took her outside while the other patrons hurried after them.
People brushed glass off their shoulders and from their hair, but April was still screaming. She fell to the pavement and curled up in a fetal position as she screamed at the dark sky above.
Someone asked, “What’s wrong with her? Is she hurt?”
Abby got down next to April and embraced her, then started cooing into her ear like a mother might to a frightened child.
“You’re all right,” Abby said. “You’re okay, April. Calm down.”
The world returned to April slowly. Panic subsided, giving way to reason and shame. She got up from the pavement and dusted herself off and tried not to take the weird looks she got from the others personally.
Josh said, “Was that you? I mean, did you, umm, turn out the lights?”
April shook her head. “There was a powerful spirit in the bar. I’ve never seen anything quite like it. He seemed especially interested in Lime.”
“Where is Lime?” Abby asked.
April surveyed the crowd of confused bar patrons but Lime was nowhere in sight. She brushed past them, heading back to the bar.
It was dark but Lime could clearly be seen seated in his corner. 
His eyes were on fire.


Read the rest of the story on August 5th.
And keep an eye out for upcoming giveaways on Goodreads


Thursday, July 24, 2014

Brain Mold ebook FREE at Smashwords until 8/1/14

In the coming weeks I'm going to be posting some sneak previews for my upcoming stories in the End of the World and Some Other Things series. I will also be having giveaways and all that jazz.

But first! I'm giving away free ebook downloads of my debut novel Brain Mold over at Smashwords. BECAUSE I'M COOL LIKE THAT. I guess.

Yes, so, here's what you do: find Brain Mold at Smashwords -- look, a HELPFUL LINK -- add the book to your cart and apply the coupon code TQ32S before you checkout.

From there, the book will be added to your Smashwords library and you can choose to download it as a PDF, epub, or mobi (for Kindle apps). Easy!

This coupon code is only active until August 1st, so don't delay.

Keep checking back! Like I said, there's lots of cool stuff coming soon.

-- Kyle

Wednesday, June 25, 2014

Cover Reveal and Release Dates for Death's Good Intentions and Prologues


It is finally time to reveal some cover art and release dates for the first books in my new dark, urban fantasy series The End of the World and Some Other Things.



 Available September 9th 
DEATH'S GOOD INTENTIONS
THE END OF THE WORLD AND SOME OTHER THINGS
BOOK 1


Trey Decarr used to be a well-respected hitman. He kept his clients happy, limited civilian casualties, and lived his life with a moral code that allowed him to think that what he was doing was just. Along the way, Decarr must’ve impressed someone up on high, because the next thing he knows the world’s a lot weirder than it used to be. . . 

Demons walk the streets. Angels hover up above. Vampires hunt like wolves. And some jackasses in nice suits are saying that Decarr’s been chosen.


Decarr is to become Death, the Fourth Horseman of the Apocalypse.


But then Decarr does something that they never expected. He resists. Instead of accepting his role in the end of days, he decides to hunt down his Horsemen brethren in a crazed attempt to save humanity.


Hell now views him as an enemy and Heaven sees him as a reckless wildcard that threatens to undo prophecy. 


April Frausini, a young recruit in a secret order within the church, is tasked with finding Decarr and stopping him before things get out of control.


April’s orders are simple: kill Death. However, April is conflicted, and senses purpose in Decarr’s violent rampage. When she meets this man called Death, will she pull the trigger? Or can she reason with him and perhaps make the Pale Rider into a powerful ally in the fight to save the world from annihilation?



In addition to Death's Good Intentions, there will be two prequel stories. These books can be read before or after Death's Good Intentions as they tell separate stories from the main arc of the series, but they will be released in the weeks prior to DGI



Available August 5th
THE MAN WITH THE DEVIL'S TONGUE 
A Prologue to The End of the World and Some Other Things


April Frausini can see ghosts. When she was younger, her parents had treated her like a child with a broken brain. They took April to doctors. The doctors sent her to specialists. The specialists put her on drugs. And when the drugs failed to stop the visions, the specialists zapped her brain. 


After that, April told them that the ghosts had gone.


She lied.


Now she’s in college and trying to forge a future for herself, but a chance encounter with a dark spirit in a bar puts a bit of a hold on things.


A man named Jameson Talbot reaches out to her, explaining that there are worse things than ghosts to be afraid of. The spirit she saw the other night was no mere ghost, but the Devil himself in spectral form. If she chooses, Talbot promises to teach her to control her gift of sight, so that they may help others who have been tormented by these spirits, and potentially put a stop to whatever the Devil has planned.


April must choose. Go back to a life where nobody understands her or her visions? Or follow Talbot, find a purpose, and walk down a dangerous path in search of the Devil himself?

 
Available August 26th 
BLOOD CHILD 
A Prologue to The End of the World and Some Other Things



Ivan Tarkovsky was one of the Soviet Union’s finest soldiers in World War II. A warrior feared by the Nazis and his own men, he was set loose upon the battlefields of Europe with the sole purpose of putting Hitler’s decapitated head on a pike. However, upon reaching Berlin, he led his men into an ambush. Tarkovsky was the only survivor.


Taken hostage by the Nazis, Tarkovsky was hauled into Hitler’s bunker and told a most unbelievable fantasy: Hitler was gathering the Four Horsemen of the Apocalypse and Tarkovsky was believed to be the Pale Rider himself.


They told him he was a man of great purpose, a man with a destiny. He told them he didn’t want a destiny and had to cut their throats to stop their jabbering. . . He did not escape Berlin alive.


Tarkovsky fell to the deepest pits of Hell where the Devil labeled him a traitor. For decades, Tarkovsky was tortured and twisted until he became a self-made demon, one filled with regret over the misuse of his time on earth.


Now Tarkovsky has learned that the modern Death, an American named Trey Decarr, is repeating similar mistakes. Tarkovsky decides it is time to leave the comforts of Hell, take hold of Decarr’s soul, and set him on the proper path. . .


Check out my Author Profile on Goodreads, where you can add the books to your To-Read shelves if you so wish!

Some time before the September 9th release date of Death's Good Intentions I hope to have a giveaway program up on Goodreads. I will also be looking for reviewers interested in ARCs. Keep checking back here for updates!

And thanks for reading.




Wednesday, June 11, 2014

The film of my childhood

Jurassic Park, the film of my childhood, turns 21 today.

The movie reminds me of more innocent times. More than that though, the book and film were major influences in what I wanted to do with my life: to become a storyteller.

I may not love the movie quite as much as I did when I was a kid. I love it in a different way now. It’s important to me, like an essential building block in my life.

Ignoring what it means to me personally, as a film one can’t help but be impressed with what the filmmakers put on screen 21 years ago today, and how little it has aged. Steven Spielberg’s film catches that sense of wonder that few other summer films ever come close to.

Kids who grew up before me had Indiana Jones and Star Wars. Kids who grow up today have superheroes, Transformers, and, well, more Star Wars. I’m happy to call Jurassic Park the film of my childhood.

Sunday, May 25, 2014

10 Writing Lessons Learned from Toho's Godzilla Series



As writers, we can only dream about the sort of success the Godzilla series has seen. I mean, the first film came out 60 years ago. There are thirty movies, tons of merchandize, videogames, comics, and novels, too! Godzilla has been through a lot of ups and downs over the years, but the creation has staying power. 

Maybe we can learn a thing or two from the big guy...



1) Don’t be afraid to evolve to meet the audience’s demands—In the 1954 original, Godzilla was depicted as the walking embodiment of the nuclear bomb. What the beast brought to Tokyo was a glimpse not only of horrors past, but of a potential apocalyptic future. Less than a decade later, Godzilla movies were full of humor, wonder, and escapism. The message of nuclear holocaust was sidelined in favor of monster fights, likable heroes, and a softer Godzilla. The dark origins of the monster were touched on here and there, but for a while there Godzilla became a giant superhero, thus satisfying the demands of children (of all ages) who wanted to root for the monster instead of fear him. There’s a lesson here. I love the original film – it’s a grim masterpiece and one of the best sci-fi/horror movies of all time. I would not have minded if more Godzilla films were made in a similar tone. However, I have no doubt that the shift in tone is what allowed the series to go on as long as it has. Get an idea of what your audience wants and do your best to deliver.

2) Monsters and metaphors—Science fiction and horror give us the chance to tackle the problems of the day in an indirect way, allowing us to have our message without being pretentious about it. This is important. If you talk to someone for an hour about what you feel is wrong with the world, then chances are they will only hear some annoying buzzing in their ear. However, if you disguise your message as a monster, an alien invader, an invention, fictional political unrest, or whatever, then you’ll sneak your message in there without people getting bored by it. With any luck, it’ll take hold. This is especially good for young readers, as they’re more willing to learn a lesson from a monster.

3) Crank that shit out—The film industry of Japan was a well-oiled machine in the 1960s. There was one year where Japan’s output outmatched even Hollywood’s (right now, the Japanese film industry is in the dumps, but that’s a lesson for another day). You could pretty much count on a new Godzilla film every year – sometimes two new films! – not to mention other similar kaiju epics. Toho found something that audiences loved and the studio supplied the demand. Only when the money started to run out did you notice a dip in quality. Otherwise these were some damn fine films that people still watch today. If your audience wants your next book/movie/sequel/work, give it to them. Don’t sit on it forever. No dillydallying. Give us more and give it to us NOW. Stephen King understands. John Grisham gets it. Marvel knows what I’m talking about. Takashi Miike does his thing. George RR Martin? Well…

4) Don’t recycle—Toho’s money started to run out in the 1970s. The Japanese film industry was getting killed off by TV. Film studios were shut down. Toho marched on, though I don’t think it will ever return to the greatness it once was in the 50s and 60s. Godzilla continued, also, but on a smaller budget than before. Listen: Recycling will save the world. Maybe. I mean, right? Well, yes, recycling is good for Mother Earth – but it has no place in your fiction. Godzilla films from the 70s period were fond of reusing footage from earlier films as a way of cutting costs. The problem was, we came to these movies for monster action, and we’ve seen those shots before. It’s the literary equivalent of copying cool stuff from an earlier book and pasting it into the new one. DON’T DO THAT. Even if your ‘recycling’ is not as severe as a copy-and-paste job, you should know that your audience remembers stuff. Other Godzilla films that did not recycle footage still managed to recycle ideas. We noticed. And though not as unforgivable as using stock footage, the use of ‘stock ideas’ is kind of lame. Throw your aluminum in the properly marked can, but don’t recycle your ideas.

5) The shift from villain to anti-hero—Godzilla used to want to kill everybody. Then he started saving the world. This wasn’t overnight. And, in my opinion, it didn’t feel forced. Godzilla, at his best, is one of the better examples of an anti-hero in all of filmdom. You’ve got this behemoth that sets cities ablaze but still manages to save the day in the end, almost as if his heroics were accidental. And I like that. People dig the rogue. If you and your audience love your villain and he’s something that you feel you can turn into a heroic figure, I say go for it. Just be mindful that you don’t change him so much that you destroy what we liked about him in the first place. Like, you can change a tiger’s stripes but don’t remove his claws. Hmm. Yes, something like that.

6) Recognize when the hero can step back—Godzilla is not the star of all of his films. Actually, a great deal of them feature other monsters more than Big G. Sometimes a supporting character takes off in a way you’d never expect. Don’t smother them, let them share the spotlight with the central lead. Sometimes one likable hero is not enough to keep people coming back. Recognize the talent of your roster and give ‘em time to shine.

7) The Shinichi Sekizawa approach—The common monster story formula goes something like this: Monsters mess shit up and people gotta fix it. Screenwriter Shinichi Sekizawa came up with a new formula: People mess shit up and monsters gotta fix it. Sekizawa managed to save an increasingly tired genre by turning it on its head. Look for a way to do the same.

8) Crossovers—A couple of the most profitable Godzilla films of all time are Godzilla vs. Mothra and King Kong vs. Godzilla. What do they have in common? Both Mothra and Kong started out with their own movies before meeting up with Godzilla. Consider this: you’ve written multiple works and have noticed different people are gravitating towards two different series/characters. Why not write something where those characters either team up or are pitted against one another? You may succeed in bringing fans from either series together, thus doubling your audience.

9) Let’s all get along—I like dark, brooding works of fiction, but it need not always be that way. Director Ishiro Honda believed in the best of humanity, despite having seen some of the worst of it in WWII. In his films, he was fond of depicting the world coming together to solve its problems. Angst is popular (look at Batman) but aren’t we a little tired of everybody trying to do the same thing with the ‘dark and gritty’ approach? Think about this simple truth: It is a good thing to stand out from the pack.

10) Have some fun—There’s this thing about Godzilla films that I love but do not fully understand, this sort of childlike innocence on display. It cancels out my inner critic. I just sit back and smile. I’m a cynical guy by nature so this is no easy task. These films tapped into something that I cannot define, but I have learned something from the experience anyway: simply, have some fun. Smile a little. Enjoy whatever it is you’re doing. And whenever possible, try to tap into your child at heart. It’s important. If you’re not having fun with your creative endeavors, then you gotta fix that. 

And that's that.


(image from 1954 film Godzilla AKA Gojira AKA Godzilla: King of the Monsters. Godzilla is owned by Toho Co., Ltd. Please don't sue me, lawyers of Toho. Okay? Thank you)

Wednesday, May 14, 2014

Coming soon... IN THE SHADOW OF EXTINCTION



I love monsters. Always have. Always will. Some of the first movies I can remember seeing were things like Godzilla and Jaws. They left lasting impressions on me. And while I enjoy monsters of all shapes and sizes, I have a soft spot for the kaiju popular in Japanese cinema. I'm talking Godzilla, Gamera, Anguirus, King Ghidorah, and so on. I crave these stories and so I decided I'd like to write my own.

While I probably could write a loving homage to the Godzilla films of old (complete with alien invaders, monster allies, laser weapons, mystical prophets, plucky journalists, and a goofy nerd who saves the day with his otherwise useless invention), this book isn't that. I mean, I think you should know that the love is still there -- I wouldn't be writing the book if I didn't love the genre -- but my story is a different kind of kaiju adventure.

I’m calling it IN THE SHADOW OF EXTINCTION: A KAIJU EPIC. For now. Working title. May change.

Look, a synopsis!

It started with earthquakes and dead whales. Volcanoes erupt along the Ring of Fire, killing thousands and displacing millions. But none of that can compare to what happens when the Yellowstone caldera erupts, killing all plant and animal life for hundreds of miles around, and spreading ash across much of the United States.

Then the beasts started crawling out from the fissures in the earth.

An armored bipedal burrower crawls out of Mt. Fuji and reduces Yokohama to dust and rubble. An eel-like sea monster terrorizes ships in the busy Pacific shipping lanes. Swarms of insect-like creatures lay their eggs in flooded California and quickly overrun the entire state. And somewhere in the dark, ashen landscape walks a predatory behemoth with a hunger that only other giants can hope to satisfy.

Weakened by both the volcanic activity and the monster's might, we turn to the nuclear solution as a means of saving humanity. Cities are destroyed beneath mushroom clouds all around the world in an attempt to kill the monsters. However, the monsters prove immune and their numbers keep growing. Our efforts to stop them have only aided the beasts in reducing our world to ruin.

Mankind's final war lasts only weeks.

This is the story of what comes after.

Governments are disbanded. Our once great cities are deemed potential danger zones. Entire countries are decimated. But there are survivors...

Word is spoken of a great city capable of holding off any monster’s attacks. Pilgrims from around the world make their way over the burnt landscape, walking in the shadows of great monsters, hopeful to find this safe haven in the west.

They call it New Detroit.

But what the pilgrims and the leaders of New Detroit do not know is that the monsters are growing hungry. Following the traveling pilgrims will eventually lead the beasts to Detroit, where the fate of the world will finally be decided.

End synopsis!

The plan is to release the book at the end of the summer. But for now, I'm still working on it. Keep checking back here for future updates, like release dates, cover reveals, and sneak previews!